Ausencia I
       
     
 The character of absence. Space that occupies what is not there. Spanish designer and illustrator Isidro Ferrer said (in a memorable conversation) that, in graphic work, errors are the only element that humanizes the work. He explained that there ar
       
     
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Ausencia XXIII
       
     
Ausencia II
       
     
Ausencia XIX
       
     
Ausencia XVIII
       
     
Ausencia XX
       
     
Ausencia III
       
     
Ausencia V
       
     
Ausencia XVII
       
     
Ausencia VIII
       
     
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Ausencia XII
       
     
Ausencia XI
       
     
Ausencia I
       
     
Ausencia I

2014 | Acrylic on canvas | 72” x 104” (185cm x 265cm)

 The character of absence. Space that occupies what is not there. Spanish designer and illustrator Isidro Ferrer said (in a memorable conversation) that, in graphic work, errors are the only element that humanizes the work. He explained that there ar
       
     

The character of absence. Space that occupies what is not there. Spanish designer and illustrator Isidro Ferrer said (in a memorable conversation) that, in graphic work, errors are the only element that humanizes the work. He explained that there are so many good tools to prevent failure, to show antiseptic, almost perfect work, and that the biggest challenge for a good illustrator is to make mistakes that sneak in his/her own production; a thousand times corrected by self-preserving software packages. This exhibition of Luciano Goizueta, titled Absence, leaves a feeling of open work which is not the same as gray work; nor is it the product of mistake. It is the result of a job that requires active looks to complete, complement and contain it. This participation of the observer is also the way in which Luciano humanizes his art object.

Absence is a reflection that is approached from three new series. The result of the artist's eye before his own absences and a frank review process for his work. The thread that leads to the discourse of absence is not seeking to omit and then show. On the contrary, it gives character to what is omitted. What is not there finds a dimension of object as strong as the rest.

In all thought, there is an extrapolation to what is absent from our lives: people who were our friends, siblings, or grandparents. Absences so tangible that they can almost be touched. A path parallel to the phantom limb syndrome.

Karina Salguero-Moya

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Ausencia XXIII
       
     
Ausencia XXIII

2014 | Acrylic on canvas | 72” x 104” (185cm x 265cm)

AVAILABLE

Ausencia II
       
     
Ausencia II

2014 | Acrylic on Canvas | 47” x 70” (120cm x 180cm)

Ausencia XIX
       
     
Ausencia XIX

2019 | Acrylic on canvas | 47” x 59” (120cm x 150cm)

Ausencia XVIII
       
     
Ausencia XVIII

2019 | Acrylic on canas | 35” x 35” (90cm x 90cm)

Ausencia XX
       
     
Ausencia XX

2019 | Acrylic in canvas | 47” x 62” (120cm x 160cm)

Ausencia III
       
     
Ausencia III

2014 | Acrylic on Canvas | 64” x 96” (163cm x 244cm)

Ausencia V
       
     
Ausencia V

2014 | Acrylic on canvas | 47” x 66” (120cm x 168cm)

Ausencia XVII
       
     
Ausencia XVII

2017 | Acrylic on canvas | 55” x 43” (140cm x 110cm)

Ausencia VIII
       
     
Ausencia VIII

2015 | Acrylic on Canvas | 43” x 55” (110cm x 140cm)

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Ausencia on billboards

2014 | time-lapse

Intervention on public billboards

Ausencia XII
       
     
Ausencia XII

2015 | Acrylic on Canvas | 55” x 44” (140cm x 112cm)

Ausencia XI
       
     
Ausencia XI

2015 | Acrylic on Canvas | 35” x 47” (90cm x 120cm)